The most important part of revising a production script is keeping all of the existing material on the same pages. On some productions, it isn’t unheard for a new script revision to issued every day. It’s a constant game of catch-up and refinement to make the script workable with the context of your shooting situation. The most common changes are things like tweaking lines, omitting scenes (or adding new ones), changing scene locations, and trimming action. This isn’t to say that the grand sweep of the story will be constantly shifting (although it does happen on occasion). Shooting scripts are guaranteed to change – constantly. Things go wrong, plans get cancelled, stuff breaks, and budgets run dry. Even if your Production White is the product of months of thoughtful editing and revision, it’s almost certainly going to change even more as you move into the pre-production phase and eventually start shooting.Īs the old adage goes, a film or video shoot is a state of controlled chaos. This is the version of the script that will be distributed to all members of your cast and crew to begin the in-depth process of breaking it down into an executable production plan. When you’ve finished and finalized the draft of your script that you plan to take to camera, what you’ve got in your hand what’s referred to as a Production White.
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